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Recent Forum Topics

    ladyangel

    submission questions  

    Last Post By: ladyangel

    Does anyone know what the proper way to submit a novel manuscript once it has been requested? Do you hole punch it and put it in a folder, put a paperclip on it, put it in a box loosely or staple it?
    Joanne

    I suppose we are all busy working  

    Last Post By: Joanne

    But I too am here to join the WM freelance queue. The real short and sweet version about me: Before 1999 I had a minor reputation as a palsied poet, very little money in it and I rarely used this directory as a tool, but others for the small presses.
    Eava

    Self-publishing Books  

    Last Post By: Eava

    Just wondering, did you do selfpublishing?
    Jessica McCann

    Tips for getting freelance assignments  

    Last Post By: Jessica McCann

    Writers Market's Robert Lee Brewer asked me to answer the question, "As a freelancer for magazines, how do you get assignments?" He posted my answer on the Nonfiction Q&A section. Click the link below to read my suggestions on how to get assignments.
    linda

    Regional Publisher of Booklets?  

    Last Post By: linda

    Hi Everyone,I have a booklet that is specific to Los Angeles County only and was wondering if anyone knows of any book publishers that do regional booklets.Back in the olden days, grocery store checkout aisles were filled with nifty booklets on a wid
    writergal

    Having Your Own Website  

    Last Post By: writergal

    I found some other services that are free or close to it to help create a website: (also includes NetObjects Essentials, which you can download free)I haven't tried these myself yet.

    Have Any Tips for Teaching A Class on Writing?

    Friday, October 31, 2008, 09:51 AM MST [General]
    Posted By: Lisa Abeyta

    I have been asked to teach a local class on how to break into writing.  While it will focus on freelance markets, it will also touch on poetry and fiction markets as well.  I am teaming up with a colleague who is an editor and publisher, so attendees will be given a broad range of perspectives from both sides of the fence.

     

    My question: if you were taking such a class, what would you want to hear?  What would bore you to death?  Ever take a class and end up feeling like you got cheated, and if so, why?  If you've taken a class like this and liked it, I'd also love to know what made it a positive experience.

     

    I have a background in teaching and have been freelancing for a decade, so I have the right experience on paper.  But I want to make sure that the people who take time out to come take the class feel better equipped and inspired when they leave - so any input you have is greatly appreciated!

    (I've posted this as a topic in the freelance writer's forum, so please feel free to reply either place.)

     

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    The Downside of Wandering Writer

    Tuesday, October 21, 2008, 09:12 AM MST [General]
    Posted By: Lisa Abeyta

    (Photo by Benjamin Dudoit)
    One of my favorite assignments is the author profiles that I sometimes write forAlbuquerque the Magazine.  It is always nice to have the chance to pick the brain of a successful writer and visit about the life of writing.  Writing is often a lonely business, and having the chance to swap tales with someone makes the assignment that much more enjoyable.
    Yesterday's author interview was no exception.  I arrive at a local Flying Star Restaurant, order a drink, and find a quiet table.  I've already done my research - checked out the published titles, listened to the online interviews, read through many of the links on the internet. 
    He arrives with briefcase in hand, a quiet man  with a soft, slow smile and gentle eyes.  We talk for a few minutes about his newest book and upcoming projects, and then I move on to what I am really interested in: his globe-trotting past which has taken him to foreign lands and submerged him into other cultures.  For just a few minutes, I want to vicariously ride along on his journey and see the world through his eyes.
    He talks of what it is like being born the youngest son of a missionary father and how he wishes he had automatically retained his first language - Chinese.  He breezes past the fact that he and his wife returned to Asia years later to teach English as if it was as mundane as taking a trip to the local watering hole.  He tells of his experience smuggling medical supplies into war-torn countries and laughs as he shares a tale which may seem funny now but had to be heart-stopping at the time.
    And after a few moments, I feel like a deflated balloon - all the air, the excitement of my own boring life completely exhausted in the shadow of such an colorful life.  I tell him as much - about some of my own family who have been completely content to never travel more than a few hundred miles from their place of birth.  I express admiration for the kind of courage it takes to lead his kind of life.
    His response surprises me.  He says it hasn't taken courage, just a large dose of wanderlust and that he is often very envious of those with deep ties and connections to their roots.  He says that he misses that kind of family, that kind of life.  He talks of where he grew up and that no one is there anymore to go home to.  And there is a melancholy in his voice that is kindred to my own.
    And so, at the end of my vicarious journey around the world, I find something to be grateful for in my own very boring, vanilla roots.  I'm glad for my time with this author who has given me a new perspective of the downside of a wandering soul.  
    But a part of me is still envious.  I guess we always want what didn't show up at our own door.
    This is my post from my blog Writing Through Rose Colored Glasses, but I thought I'd share it here since it's about writing.)

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